I initially moved to mirrorless around a year ago in order to find a camera system that was light weight and could be used in the city with minimal fuss; a system that left me a more nimble, responsive photographer. This is hardly a revelation and I am sure this is the exact reason a lot of photographers ditched their heavy dslr and lenses for a mirrorless set-up. For me, the switch to mirrorless ran parallel with my desire to create a new style of photography too.
I love architecture and I love photography but I have to admit sometimes architecture photography leaves a little cold. To be honest, I have always found perfection a little boring (not just in photography!) and to a large degree, architectural photography is often too perfect for me.
I have been wrestling with this in my own photography and have been trying to create a style that focuses on architecture but embraces more of a ‘street photography’ aesthetic. I love the immediacy of street photography, its imperfections, the grain, the way it captures the essence of a moment.
After purchasing John Comazzi’s excellent Balthazar Korab: Architect of Photography book a few months back I finally became convinced that this was the direction I wanted to go in, or at the very least, a style I had to experiment with.
It had been obvious to me that my style has been undergoing change recently, most notably in the amount of black and white work I am creating. This certainly wasn’t a deliberate choice and I cannot really say why I began doing this. Nonetheless, it is a definite theme in my work that has occurred completely organically. All I know is that I want my photography to look less perfect in order to capture the ‘spirit’ of the building, place or environment I am photographing. At this stage, I do not even know if I am even capable of this but it is something I need to try and achieve.
Perhaps it was my visit to New York where I finally realised that the big city is not a place of perfection. In such a ridiculously busy environment that looking to achieve perfect images often resulted in me missing out on numerous other photo opportunities, or I felt I was creating images that just seemed to lack something.
I would be interested to know if any other photographers have felt like this and felt compelled to change their style of photography. Is this something we all go through in order to find our voice as a photographer? Please feel free to comment below.